2007年11月5日星期一

Latin American Music


Latin American music, sometimes simply called Latin music, includes the music of all countries in Latin America and comes in many varieties, from the simple, rural conjunto music of northern Mexico to the sophisticated habanera of Cuba, from the symphonies of Heitor Villa-Lobos to the simple and moving Andean flute. Music has played an important part in Latin America's turbulent recent history, for example the nueva canción movement. Latin music is very diverse, with the only truly unifying thread being the use of Latin languages, predominately the Spanish language, the Portuguese language in Brazil, and to a lesser extent, Latin-derived creole languages such as that found in Haiti.

Latin America can be divided into several musical areas. Andean music, for example, includes the countries of western South America, typically Peru, Bolivia, Ecuador, Chile and Venezuela; Central American music includes El Salvador, Belize, Nicaragua, Panama, Guatemala, Honduras, and Costa Rica. Caribbean music includes many Spanish and French-speaking islands in the Caribbean Sea, including Haiti, the Dominican Republic, Cuba, Puerto Rico, Martinique and Guadeloupe, though the Francophone islands are mistakenly not usually considered Latin even though they derive from Latin heritages just as their Spanish and Portuguese cousins. Brazil perhaps constitutes its own musical area, both because of its large size and incredible diversity as well as its unique history as a Portuguese colony. Although Spain isn't a part of Latin America, Spanish music (and Portuguese music) and Latin American music strongly cross-fertilized each other, but Latin music also absorbed influences from English and American music, and particularly, African music.

Latin pop music


Latin Pop -- pop music sung in Spanish by artists from Central and Latin American countries -- is usually marked by polished production while incorporating unobtrusive Latin rhythms and instrumentation into its mix. Latin Pop first reached a global audience through the work of bandleader Sergio Mendes in the mid-1960s; in later decades, crooner Julio Iglesias, the versatile Gloria Estefan, and the revolving-door teen idol group Menudo carried the style forward.



This genre includes Tejano -- an urbanized form of the accordion-driven, Polka-inspired style known as north Mexican Conjunto that's plugged itself in, bought a few synthesizers and electric guitars, and moved its bouncy feel into the present day. Tejano crossover musicians include the popular L.A. outfit Los Lobos, who retain the genre's basics while adorning them mightily with pop/rock stylings, and the late diva Selena, a Spanish-singing Texan who achieved pop stardom while remaining true to her Tejano roots.

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